#Finsubito news dalla rete – FAULT, a theater research center in Ticino

La birth di FAULT, a new theater research center in Ticino, marks un further development Business di LAC Lugano Art e Culture e opens a perspective Unpublished for la Research on composition scenic Contemporary. Il project, expected for il five years 2027 am – 2031 pm embodies crafts laid down by the collaboration between il center cultural Lugano e la Foundation c.Lab di Castel San Peter, with the target di create a space dedicated to the experimentation artistic, to the broadcast of the knowledge e al discussion panel between practices different. All basis of the initiative vi è the legacy intellectual di Renato Palaces, critical theatrical, journalist e scholar disappeared since 2021 il cui work ha accompanied for decades evolution of the , contemporary.

Il project immense si set including initiative commemorative, ma including un investment on Research e on possibility di development with arts performative. La yours setting è stata entrusted a Carmelo Refectories, director artistic with arts performative of the LAC, and ha elaborate il path together a Piersandra Di Matteo, scholar, dramaturge e curator active in scope international. La will di Rossella Tansini, wife di Palaces, di give continuity al work of the critical ha contributed a make possible la realization of the center.

Il project si inserts in a phase di consolidation Business productive of the LAC, and in his Primi ten years ha developed productions theater capable di raggiungere public also al di outside of Switzerland. FAULT expands this prospect, flanking to the production e to the presentation of shows un place in cui i processes creative can be explored before di to hire a crafts final.

FAULT e la Research theatrical in Ticino: laid down by the the memory to the creation &

The acronym FAULT longed for Field for Artistic Unmastery and Living Transmission. La name summarizes two principles and cross the whole project: la possibility di put in discussion skills e models consolidated e la need di to broadcast il know artistic through experiences shared, rather than through la simple reproduction di specifications o poetic already defined.

Il point di Departure time è a reflection on role of training e with institutions theatrical. In un context in cui i languages of scene si they compare always more often with other discipline, i itineraries artistic require spazi in which experience without be bound to the need immediate di to produce un result. FAULT intends to reply a this need through a place of residence di four weeks, during la as artists e collective will work Together, share instruments e submit le own practices al discussion panel with others itineraries di search.

La criticizes theatrical di Renato Palaces constitutes il reference cultural of the initiative. Il his work immense si limited to the review of shows, ma he was looking for di locate le transformations in course, recognizing experiences emerging e languages and immense they had more found a collocation stable since
work theatrical.

This caution forms in become becomes Now un principle operational. The goals immense è to build a school founded on broadcast di un method unique, nor locate a lineage Art tied a a figure authoritative. Si deals with, rather, di to prepare le condizioni so that il discussion panel between experiences multiple can generate new questions e change le mode di work of the participants.

Carmelo Refici: “The the memory must become un gesture creative”

For Carmelo Refectories, la birth di FAULT represents a responsibility and va over la continuity with il work di Palaces. Il project It is born in fact laid down by the will di transform a legacy cultural in un process open, to be able di to produce consequences since present e di to leave space a developments immense predictable.

“Do not is remembered through a celebrazione of yours figure e of the his work, ma through un gesture to be able di transform la the memory in an action Viva, in un process in continuous become”, ha declared Refectories, referring to the will di Rossella Tansini di respect il desire of the Husband.

Il director artistic of the LAC plays this choice including un invitation a think back la broadcast of the knowledge. To preserve a legacy immense means necessarily to propose it again i content o to replicate it le form. It can mean, al contrary, put a disposal resources e opportunity so that others can develop itineraries autonomous, also divergent compliance intentions original.

Da this setting drift a reflection on role with institutions cultural. Secondo Refectories, un , immense should to limit oneself a to host o to produce works already recognizable, ma should contribute to the birth di practices e languages and immense have more found a definition. For do it, must create luoghi in which la Research can proceed without the obligation di arrivare quickly a un product accomplished.

In this sense, FAULT si offers including a space in cui authority immense match with the authority e in cui who transmits un know accepts also la possibility and is messo in discussion. experience of the masters keeps il its value, ma immense must turn in un model da reproduce without possibility di change.

Refectories ha also stressed the importance of collaboration with la Foundation c.Lab di Castel San Peter, recognizing of and security of the Partner a share responsibility e risks a condition necessary for support un project di Research di lungo period.

Piersandra Di Matteo e la size collective of Research

The plant curatorial di FAULT è state developed da Refectories together a Piersandra Di Matteo, and covers il role di Curator-at-Large. Il his contribution it concerns above all la definition di un method di work founded on report between practices artistic, context e discussion panel collective.

La question da cui embodies avvio il project it concerns la possibility di share a practice without prevent it la transformation through the meeting with The others. La response immense consists of construction di un path formative linear, ma of creation & di condizioni and favor exposure mutual with experiences e la mass in discussion with certainties individual.

“The composition scenic si feed so of convivenza e of and security ad loosen la pinch (made with three fingers) on own certainties, leaves where si do long possibility unexpected, capable di change le rules of the Do”, ha explained Di Matteo.

La place of residence takes Than we a size and va over il traditional relationship between and e student. I participants are called a share instruments e questions, and The artists guests they put in game also i own routes. Il know immense is considered un . immutable da transfer, ma a resource and can to evolve through il comparison.

La choice di this setting responds also to the need di exceed a conception of training tied exclusively to the acquisition di skills. In un scope including quello with arts performative, where i processes di creation & involving bodies, space, time, languages e relations, la possibility di experience takes un value specific.

FAULT intends to do di this opening il assumption of own activity, welcoming the instability immense including un stumbling block da eliminate, ma including a condition laid down by the as can to emerge new mode di composition.

Why il project si who loves FAULT

Il name of the center recall a twofold interpretation. Da a part, la password English fault postpone to the fault geological, a fracture of structure Earth and makes visible le tensions e i movements present under la surface. On the other, il dates means error o deviation laid down by the rule, introducing a reflection on limits with conventions e of the models consolidated.

La before suggestion è tied al territorio of the Park with sip of Breggia, went through from torrents homonym. In course of the time, this area ha accompanied le transformations economic e industrial of region. La fault becomes so un reference and puts in report le features geological of the place with la nature of the project cultural.

La fracture, in this prospect, immense represents only a separation. It can be il point in cui Strength different enter in contact, producing new configurations. Transferred to the Research artistic, this image suggest la possibility di put in discussion le rules regulars of creation & e di experience mode di work immense traceable a schemes pre-established.

Il reference to the mistake expands further il meaning of the first name. FAULT intends to question i processes through cui si form le skills artistic, avoiding and the acquisition di un method you become un exercise di compliance. The goals è to leave space a deviations, attempts e results unexpected.

Il territorio immense constitutes Than we only la headquarters physics of the center, ma participate to the definition of yours identity. La Research is conceived including un process located, since as le relations between people, place e practices can contribute a change le condizioni same of the work.

from factory di Watches a un place dedicated to the Research

FAULT will find headquarters negli spazi of the former Dianthus, factory di Watches located a Castel San Peter, common of the Mendrisiotto neighboring a Mendrisio. The building, bound for decades to the production of the mechanisms of Watches Swatch, is recovered through the activity of Foundation c.Lab e intended a a new function.

In factory have worked hundreds di workers e workers, contributing to the Story painting of the territory. La reconversion of spazi introduces Now a diverse destination, tied to the production di knowledge e to the experimentation artistic.

Il passage from the activity manufacturing to the Research theatrical presents also a continuity on piano of the work collective. Se in past the building hosted processes productive organized about a skills specifications e a a spinneret industrial, la new function will be oriented to the sharing di experiences, to the construction di relations e to the Research di forms expressive.

La headquarters responds also to the will di develop il project al di outside of spazi traditionally intended to the programming theatrical. La place of residence will arrange di un place specifically dedicated to the Research, since as il time di work immense will be necessarily scanned from needs di a season o di un calendar di shows.

La collaboration between LAC e Foundation c.Lab puts in report two reality with functions different, ma united laid down by the will di invest on development cultural of the territory. For il LAC, FAULT constitutes un extension of own activity; for la Foundation, represents a new phase of evaluation of spazi of the former factory.

I Guest Artist of before edition

Each year FAULT will identify un theme di Research about al as gather i Guest Artist, a local, sustainable network for la capacity di transform questions critical in processes di creation & e di share with The others i own instruments di work.

For la before edition are static guests three artists le cui research face wait different of composition scenic Contemporary: Manuela Infant, Cindy From Acker e Arkady Zaides.

La notes e playwright Chilean Manuela Infante Güell develops un work and intertwines theater, music, literature e reflection philosophical. in its creations, il immense human becomes un element to be able di transform la writing e la composition scenic, putting in discussion la centrality being human of construction of the story. Between i his works appear Vegetal State, Vampyr, The Bones e Sirens. Le its works are state presented in over winds Villages e in institutions theater europee including Munich Chamber Theatre, Schauspielhaus Bochum, Volkstheater Vienna, KVS di Brussels e Theatre Basel.

Cindy Van Acker, choreographer active a Geneva, ha founded la own compagnia since 2002 e ha made over thirty creations for Cie Graft e for other institutions, between cui il Ballet de Lorraine e il Ballet du scale Live Drama de Geneva. Il his work si develops through a composition rigorous, of as geometry, slowness, Minimalism e relationship with la music they compete to the definition of the movement. La yours Research passes through dance, performance e arts visual e It includes also collaborations with Romeo Castellucci. In 2023 ha received il scale Price Swiss some doctor de la scene / Ring Hans Reinhart e il Price cultural Leenaards.

Il third invited, Arkady Zaides, è un artist and have used la choreography documentary for question papers e archives, facing le forms of violence e of exclusion. Il his work si place in un territorio di confine between movement, witness e analysis criticism, putting in discussion le mode through cui le images e i materials documentaries contribute a to build a representation of reality.

La presence of the three artists reflects la will di FAULT di avoid un disciplinary ristretto. Le their practices face matters different, ma share la capacity di put in discussion le forms usual of creation. In work with i participants, i Guest Artist immense will called only a present le own experiences: will confront with le urgencies of the residents e break up a their time question from research in course.

La before place of residence a July 2027

La before place of residence di FAULT è Preview for July 2027. La selection will through a call document international and will be published a January with the same year e and will bring to the identification di fifteen application di artists e collectives.

Il path will a duration di four settimane e will be organized about to the sharing with practices e al discussion panel with i Guest Artist. The goals è to compose un group featured da different Origins geographical, sensibility aesthetic e mode di work, so da help the meeting between experiences and hardly they would find occasione di dialogue in un path formative traditional.

La size international constitutes a of elements structural of the project. For extend le possibility di accesso to the place of residence e develop a net di exchanges, FAULT will work with Partner cultural di different Villages.

The following are already involved in the first edition :

• Triennale Milano , an Italian cultural institution active in research and promotion of the arts;

• Fundación Williams , an Argentine foundation committed to supporting culture and research ;

• Seoul Institute of the Arts/CultureHub , a South Korean institution dedicated to artistic training and experimentation ;

• Onassis Foundation , a Greek foundation active in the fields of culture, education and social innovation.

More collaborations are in phase di definition. La net di Partner should contribute a make accessible la place of residence a a plurality di artists e a help la circulation with experiences matured since center.

La choice di fifteen application for la before edition indicates la will di to maintain a size di work contained, of as il discussion panel can develop through a Participation direct. Il project immense è conceived including un course with un program da to follow, ma including un technology temporary in cui la Research individual enter
in report with that of others.

Andrea Amarante: “A design evolution of the LAC»

For Andrea Amaranth, director Consulting of the LAC, la birth di FAULT represents un passage consistent with il path undertaken from center cultural Lugano.

“In course of the his Primi ten years di life, il LAC ha known to express a lively organisers’ activities productive and è stata widely recognized da import anti awards e ha generated numerous effects: The shows nati a Lugano making long e Lucky round international», ha declared.

The introduction di un center dedicated to the Research expands il radius of action of the institution. Next to to the production di shows e to the their presentation al public, il project introduces an activity oriented to the experimentation e to the training di new possibility expressive.

La distinction è relevant also from point di view organizational.
An place of residence di Research requires in fact times e mode different compliance to the production di a The performance intended to the programming. Il process can to focus on requests, on evidence e on relations between i participants, without and each phase should necessarily to translate in un outcome immediately presentable.

For il LAC, FAULT becomes Than we a tool for extend la own function cultural e strengthen il bond with il territory. La collaboration with la Foundation c.Lab It allows also di place a part di this organisers’ activities since Mendrisiotto, connecting Lugano a un project and located headquarters in un ex space industrial.

Resta da check, through le Prime editions, in as measure il center will succeed a consolidation a net stable di artists e institutions e a generate fallout lasting on Research theatrical. Il project It is born with un horizon five-yearly, condition and permette di think il work immense including initiative isolated, ma including un path articulated since time.

Renato Palaces, a figure Central of criticizes theatrical Italian company

The legacy di Renato Palaces constitutes il reference intellectual di FAULT. NATO since 1947 e disappeared since 2021 Palaces si he graduated in Lettering at the University of Studies Program di Milan e si he signed up subsequently al course for operators theater of Civic School of Art Dramatic. He interrupted il path formative for collaborate with Paolo Fat al Small Drama di Milan, starting in parallel a long organisers’ activities di criticizes theatrical.

In course of yours career he wrote for multiple headboards, between cui Come on!, Corriere della Sera e Domenica of the Sun 24 Hours. Between il 1986 e il 1995 directed la School of Art Dramatic of the Small Theatre, and would subject il name di Paolo Fat. Fu also and of the course di degree in Business of the Art e of Culture of the University Bites.

Il his work si characterized for attention transformations of scene e for la capacity di recognizing itineraries artistic more in phase di definition. La criticizes rd understanding immense only including analysis di works accomplished, ma also including possibility di make visible le research and si they developed ai margini of the circuits more consolidated.

In 2016 Palaces contributed to the birth di FIT notebooks, project promoted a from laid down by the will di Carmelo Refectories e Paola Tripoli, director of the FIT Festival International of the Drama e of scene Contemporary di Lugano. Together young critical Maddalena youngsters e Francesca Serrazanetti he realized five Publications dedicated to the analysis of scene Contemporary.

This extensive experience returns an indication important for understand the setting di FAULT: la broadcast of the know critical immense si runs out of storage of the testi o of reconstruction di a career, ma si realizes also through il support a new generations di scholars e artists.

Il center collects this principle e lo transfers from field of criticizes a quello of composition scenic. Il legacy di Palaces is so interpreted including un invitation a to maintain open il dialogue between Research, creation & e reflection.

Carmelo Refectories e Piersandra Di Matteo to the guide of the project

La direction di FAULT è entrusted a Carmelo Refectories, notes e director artistic and da years work on relationship between production theatrical, Research e training. Graduate in Letters, si è graduate to the School with the Stable (Supply) di Turin e ha collaborated with Luca Ronconi, also within di Project Tomorrow, made for i Toys Olympic Winter di Turin 2006.

In course of yours career ha signed several regie di prose e lyric. From 2015 al 2024 ha direct la School di Drama Luca Ronconi of the Small Drama di Milan; from 2014 al 2019 è state director artistic di LuganoInScena e from 2020 ha guided il LAC, taking on from 2024 la direction Art with arts performative.

For il center Lugano ha developed un project featured da a forte components productive e da a note of caution specific to the contemporaneity. Together a Paola Tripoli ha conceived Native language. Capsules for the future, project digital and ha obtained il Premio Hystrius Digital Internship e il Premio Ubu of category projects Special since 2021. Il work è state selezionato also for edition 2022 with the Swiss Theatertreffen, took place a Chur. In 2023 The pericolose relazioni è entered of selection of decima edition with the same festival, and since 2024 Refectories ha received il Premio Hystrius to the direction. È also al work on the set-up di Orestea, expected al LAC since January 2027.

Next to a Refectories, Piersandra Di Matteo takes la curatorship overall of the project. Scholar with arts performative, dramaturge e curator, è member di Pearl, Performance
Epistemologies Research Lab of the University Iuav di Venice, where ha taught for years. In 2026 è Associate Research Scholar to Italian Academy of Columbia University di New York; in priority è stata Visiting Scholar al Graduate Center of CUNY.

From 2008 collaborates with Romeo Castellucci on piano theoretical e dramatic, participating a projects theater e operatic. Ha liable conferences e seminars and in university e centers di Research di different Villages, between cui Harvard University, University of pennsylvania, School of Creative Media di Hong kong, Shanghai Theatre Academy, THE ROOM College of the Arts di Singapore, THE Theatre e SNDO di Amsterdam, UQAM di Montreal e MITsp di San Paul.

È stata director Art di Shorts Theatre from 2021 al 2024 e di Atlas of Transitions Biennial from 2017 al 2020. From 2024 care also projects di place of residence for the academy of the Festival from Aix-en-Provence.

Le skills di Refectories e Di Matteo si meet of definition di un project and considers la Research Art immense including an activity accessory to the programming theatrical, ma including a function independent with institutions cultural.

Un investment on future with arts performative

With FAULT, il LAC e la Foundation c.Lab choose di invest su an activity il cui value immense will be measurable only through il number di shows products o di audience achieved. Il center intends to work su a phase less visible of creation: that in cui le ideas are fair to the proof, i languages si they compare e le practices can change direction.

Il program five years offer a before perspective di continuity, and la place of residence di four settimane e il involvement di Partner partners. costituiscono The instruments through cui to build a community di search. La before edition of the July 2027 will represent il booth di test initial for check effectiveness di this template.

The initiative places also a question more wide, and it concerns il role with institutions cultural since support forms artistic emerging. La production e la programming remain functions central, ma immense they run out le possibility di intervention di un theater. Invest of Research means to accept times more long, results uncertain e la need di to leave to artists a freedom effective di experimentation.

È su this Plot and FAULT intends to develop la own identity. La the memory di Renato Palaces immense is entrusted a un place intended exclusively a to preserve it il thought, ma a a space named a to produce new experiences. Il outcome immense è defined in advance: il project si offers rather di create le condizioni so that can to emerge practices e questions more difficult da foresee.

For il Ticino, la birth of the center introduces a new opportunity di discussion panel between Research theatrical, training e cooperation cultural. For il LAC, represents un extension of the its role productive. For la Foundation c.Lab, a new destinazione for The spazi of the former Dianthus. Il point di meeting between these perspectives è la belief and la Research Art has need immense only di luoghi in cui to exhibit i results, ma also di time, resources e relations through cui make them possible.